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Showing posts with label *d-Rainer Werner Fassbinder. Show all posts



"A Tale of Deceit, Power, and Victimization: Fassbinder at his Best!"

A powerful and harrowing melodrama and one of Fassbinder's most accessible movies,this is a must-see for all those interested in intelligent film making.

The tragic story of Fox is masterfully and poignantly handled by Fassbinder, while never slipping into sloppy sentimentality. At the same time the film explores sexual and political issues that are still very much relevant.

Rainer Werner Fassbinder has long been honored as the 'bad boy' in European cinema, a writer, director and actor who repeatedly has taken chances and because of his brutal honesty has succeeded in making a stream of important films.

'Fox and His Friends' dates back to 1975 and remains one of Fassbinder's most successful films. As with all of his films, Fassbinder deals with the homosexual subculture in Germany but his main message goes far beyond the characters he creates: the examination of how people manipulate people for personal gain and the destruction that produces is a recurring problem and one that this film certainly explores.

'Fox' - a nickname of Franz Bieberkopf - (acted with consummate skill by Fassbinder himself) is a lower class gay carny kid whose lover is arrested, leaving the carnival to collapse and leaving Fox without support. Enter handsome Max (Karlheinz Böhm), a wealthy antiques dealer, who picks up Fox, helps him buy the requisite 'lottery ticket' on which Fox bases his hopes for financial survival via manipulative means, and takes him home, introducing Fox to his gay friends who regard Fox as scum but show obvious physical attraction to his rawness.

Surprisingly Fox wins the lottery and suddenly has 500,000 DMs and with his new money, Max's friends abruptly see a target for obtaining that money. One of the friends named Eugen (Peter Chatel) takes Fox in as a lover and talks him into investing in Eugen's family business of bookbinding. Eugen's father Wolf (Adrian Hoven) and mother (Ulla Jacobsson) tolerate their son's life with a low class wretch, ridiculing his manners and lack of culture and education, but willingly take his money to salvage their business.

With a lover and a business and a role model to make him suave, Fox dons fancy clothes, banters with his old friends in a tawdry club, and makes the pretenses that at last he is secure and happy. But in time Fox is blamed for problems at the business and when his funds have been depleted on expensive vacations and apartments by the smarmy self centered Eugen, Fox realizes that now without money he has no 'fancy friends', no lover, no security and his life becomes unbearable: the ending to the film is a tragedy beyond description.

Some would say the film is mannered in ways that depict stereotypes of the gay world (effeminate men, transvestite
s, hustlers, etc), but Fassbinder is completely honest in his attempt to recreate a subculture of a specific time in Germany.

The characters are well written and well acted allowing us to look at Fassbinder's greater picture of depravity between social class antipathies.

In many ways this is a difficult film to watch, but Fassbinder wisely places the main character whom he enacts in a place where his foibles and lack of higher class knowledge can be at once very humorous as well as pitiable. 'Fox and His Friends' has become a classic in gay cinema repertoire. ~ Grady Harp
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FILM INFORMATION: 'Fox and His Friends'

Web: Additional Cast, Details and Bios at IMDb
Director: Rainer Werner Fassbinder
Writers: Rainer Werner Fassbinder & Christian Hohoff
Full Credits: Full Cast, Crew & Credits
Genre: Drama | Crime | Romance
Awards: n/a
Runtime: 123 minutes
Spoken Language: German
Subtitles: External English .srt subtitle file
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FILM CLIP: 'Fox and His Friends'



DOWNLOAD & EXTRACT FILM FILES: 'Fox and His Friends'
.
Method 1.) File Self Extraction. (For PC) Download files into the same folder.
then click on
the 'xxxx.part01.exe' file and the film will self extract.
(For Mac) You will need a Command Line Archiver like Rar for Mac OS X'
Fox & His Friends.part01.exe
Fox & His Friends.part03.rar
Fox & His Friends.part05.rar
Fox & His Friends.part07.rar
Fox & His Friends.part02.rar
Fox & His Friends.part04.rar
Fox & His Friends.part06.rar
Fox & His Friends.part08.rar
Method 2.) Download and rejoin files with a program like HJ Split/Join
(For PC)
and (For Mac) use either MacHacha or Split and Concat.
Fox & His Friends.avi.001
Fox & His Friends.avi.003
Fox & His Friends.avi.005
Fox & His Friends.avi.007

Fox & His Friends.avi.002
Fox & His Friends.avi.004
Fox & His Friends.avi.006
Fox & His Friends.avi.008

Subtitles: External English .srt subtitle file.

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"Decadent" and
"Dysfunctional".
Words that are
redefined by the
Nicholson family . .

Rarely screened, forgotten by even the most devoted admirers of Fassbinder, 'Whity' is nonetheless a crucial film in Fassbinder's own development as a film-artist. The style of the film marks Fassbinder's turn away from his earlier, Neo-realistic efforts (notably 'Katzelmacher' and 'Why Does Herr R. Run Amok?' and turn towards the flamboyant, melodramatic form favored by him until his untimely death in 1982.

Melodrama turns out to be the best possible style for the film's story, which chronicles the fall of the seigniorial Nicholson family in the Mexican 19th century. Indeed, this film should be seen for no other reason than the inescapable weirdness one feels in watching German actors play Mexicans in the Old West. It's like seeing Peter Lorre playing John Wayne! "Decadent" and "dysfunctional" are words redefined by the Nicholson family: the patriarch, Ben Nicholson, is remote and cruel, the wife a nymphomaniac, the older son a flaming homosexual, and his brother a severely retarded adolescent.

Then there's Whity, the ironically named mulatto slave of the Nicholson family, an inadvertent focus point of each family member's perverse obsessions. It is this mutual obsession with Whity (an obsession shared by the viewer by film's end) which allows Fassbinder to explore the themes which were to comprise his greatest contribution to film's development as a medium, including: dominance and submission, the role of the Other, sexuality, the doppelganger, the economy of familial relationships, and the obstacles fate puts in the way of consummating love.

These issues gain complexity when one considers that the slave Whity is played by Fassbinder's then-lover, Gunther Kaufmann. Given this, what is the viewer to make of such stylistic scenes as when Whity is disciplined by his master, while the other family members garrulously look on--knowing that Fassbinder himself is also watching from his director/dictator's chair? (The complex inter-relationships of Fassbinder and the actors during the filming of 'Whity' were later chronicled by Fassbinder in his film 'Beware of a Holy Whore', which is based on the real-life melodrama that occurred off the set of 'Whity'.) If nothing else, 'Whity' deserves to be included in with the other Fassbinder films, such as 'Despair', which are so justly celebrated for their psychological depth and complexity.

Beyond this, two aspects of Fassbinder's technique in making 'Whity' deserve special mention. The first is that in 'Whity', one of the first of his films to employ a half-way reputable color process, Fassbinder shows himself to be a great colorist in the tradition of Delacroix, bathing the eyes with the lushest oranges, browns, and reds to be seen this side of a sunset. The palette is one that seems to have existed in film only in the late 60s and early 70s, finding similarly gorgeous expression in Truffaut's 'Fahrenheit 451', Boorman's 'Point Blank', Godard's 'La Chinoise', and Nicolas Roeg's early efforts ('A Funny Thing Happened On the Way to The Forum', 'Performance', 'Walkabout', 'Don't Look Now', 'The Man Who Fell to Earth').

The second aspect of noteworthy technique is a camera movement that truly has no precedent in film history--a fact which makes the obscurity of 'Whity' among film scholars all the more remarkable. The best example of the technique occurs in a scene in which Ben Nicholson reads his last will and testament to the silent family members surrounding him. During an unbroken ten-minute take, the actors remain virtually motionless, as if posed in some Rembrantian tableaux (and in this way recalling Dreyer's 'Day of Wrath). Against this stasis, the camera pans slowly from one family member to another, following their own sight-lines, as if the camera were recording the trace of their attention. For ten minutes the camera repeats this zig-zag path with methodical precision, while psychedelic, trance-inducing music drones in the background. The greatest merit of the technique (seen also in an equally static scene between Whity and the retarded son in the horse barn) is that it allows the viewer time enough to meditate on the relationships among the characters involved in the tableaux--in this case most profoundly on the relationships of power among family members. It's as if Fassbinder, using film technique, took a snapshot of the family, and then spent ten minutes tracing out with his finger exactly who is dominated by whom, who resents the domination, who is perceiving whom and how, and so on. The technique, which to my knowledge Fassbinder never used again to such great effect, can only be seen as the great innovation that it is, and as such, a powerful tool for the revelation of psychological truth. However, let none of these deeper concerns eclipse the enjoyment to be had watching this bizarre, teutonic Dallas unfold. Like the best moments in a Warhol film, the high camp of 'Whity' is very, very funny to watch--certainly because it is absurd, which is not to say it is without profound meaning. ~ Mark Frey
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FILM INFORMATION: ' Whity'

Web: Additional Cast, Details and Bios at IMDb
Director: Rainer Werner Fassbinder
Writer: Rainer Werner Fassbinder
Cast: Full Cast and Crew
Genre: Drama | Western
Awards: 2 wins and 1 nomination
Runtime:
95 minutes
Spoken Lanugaue: English & German
Subtitles: English .srt subtitle file
.
FILM PREVIEW: 'Whity'



DOWNLOAD & EXTRACT FILM FILES: 'Whity'
.
Method 1.) File Self Extraction. (For PC) Download files into the same folder.
then click on
the 'xxxx.part01.exe' file and the film will self extract.
(For Mac) You will need a Command Line Archiver like Rar for Mac OS X'
Whity.part01.exe
Whity.part03.rar
Whity.part05.rar
Whity.part07.rar
Whity.part02.rar
Whity.part04.rar
Whity.part06.rar
Whity.part08.rar
Method 2.) Download and rejoin files with a program like HJ Split/Join
(For PC)
and (For Mac) use either MacHacha or Split and Concat.
Whity.avi.001
Whity.avi.003
Whity.avi.005
Whity.avi.007
Whity.avi.002
Whity.avi.004
Whity.avi.006
Whity.avi.008

Subtitles: English .srt subtitle file
.