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"Two boys refreshingly not riven by angst fumble their way through
testosterone and sexual awakening to
a happy self acceptance and friendship"

When Nico's parents go on a summer trip, he stays at their beach front house alone with his childhood friend Dani, a lanky, cocky fellow. The two enjoy their liberty, meet some girls, go swimming, and talk about sex during their nightly krampac (joint masturbation) sessions. Krampac is a word coined by the playwright Jordi Sanchez in his original play of the same name and hence the title of the movie. Their friendship starts showing some wear and tear when it becomes clear that the object of Dani's burgeoning sexual longings are the girls, while Nico is mostly interested in Dani.

Against ocean sunsets and the Spanish landscape, we watch these adolescents come to grips with what they want, and what they can get. They buy condoms, they smoke some dope, they go to beach parties, they even try to drug an unsuspecting girl with sleeping pills. All of this is served up with the right mixture of knowing and nostalgia. It just might remind you of long-forgotten make-out sessions on some parents' couch in a not uncomfortable way. Based on a play by Jordi Sanchez, director Cesc Gay manages exactly the right tone.

The movie's success is especially amazing in the light of how much could have gone wrong. Coming-of-age-in-the-summer movies tend to produce a prefabricated aftertaste. The gay subject matter as well as the straight sex could have been exploited, over dramatized, or screwed up in a million other ways. Ink has been spilled over the film being "uncompromising" and "disturbing," but there is a difference between frankness and exploitation. The honesty here is reassuring and touching rather than off-putting. "Krámpack" gets the balance exactly right. The film is light, but not slight, a little miracle of handling a delicate topic with great deftness and care.

Fernando Ramallo, who plays Nico, is a hot commodity in Spain, and it's easy to see why: he oozes a peculiar kind of confidence and independence that makes it hard to take your eyes off him. Jordi Vilches' Dani, a hyper kinetic joker who's just figuring out what to do with all that testosterone, is the perfect foil for him. In fact, all the characters are a delight, and maybe that's part of the movie's secret: there are no villains in it, nobody is to blame for the things that go wrong, and everybody deserves our attention. It's rare that something so generous and smart flickers over the screens.

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Film Information: 'Krampack ~ Nico and Dani'

Web: Additional Cast, Details and Bios at IMDb
Director: Cesc Gay
Writers: Tomás Aragay & Cesc Gay & Jordi Sanchez (play)
Full Credits: Full Cast, Crew & Credits
Genre: Comedy | Drama | Romance
Awards: 10 Wins & 9 Nominations
Runtime: 91 minutes
Spoken Language: Spanish | Catalan | English
Subtitles: English .srt file
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Film Clip: 'Krampack ~ Nico and Dani'



Download & Extract Film Files: 'Krampack ~ Nico and Dani'
.
Method 1.) File Self Extraction. (For PC) Download files into the same folder.
then click on
the 'xxxx.part01.exe' file and the film will self extract.
(For Mac) You will need a Command Line Archiver like Rar for Mac OS X'
Krampack.part01.exe
Krampack.part03.rar
Krampack.part05.rar
Krampack.part07.rar
Krampack.part02.rar
Krampack.part04.rar
Krampack.part06.rar
Krampack.part08.rar
Method 2.) Download and rejoin files with a program like HJ Split/Join
(For PC)
and (For Mac) use either MacHacha or Split and Concat.
Krampack.avi.001
Krampack.avi.003
Krampack.avi.005
Krampack.avi.007
Krampack.avi.002
Krampack.avi.004
Krampack.avi.006
Krampack.avi.008

Subtitles: Download English .srt file

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"Sex and
politics collide in this harrowing, hard-hitting tale of homosexual love, blackmail and murder."

Inspired by true events, El Diputado was the first openly gay film to be released in post-Franco Spain.

If you have never heard of Eloy de la Iglesia, that's not his fault. The Spanish director gained something of a cult reputation for his explicit treatment of homosexuality. Mr. de la Iglesia once belonged to the Spanish Communist Party, and ''El Diputado'' (''The Deputy'') brings together his political and sexual predilections in a passionate mix.
The film was his first to find commercial release in the U.S., and attests to both Mr. de la Iglesia's craft and his spirit.

In the film, which is almost completely told in "flashbacks," Roberto Orbea (Jose M. Sacristan) reminisces about his recent life. Despite many years of hiding his political beliefs, he is imprisoned and realizes while in prison that despite his attempts to repress his true self he is indeed homosexual.

A former lawyer and an idealistic left-winger he emerges from the Franco era as a leading Spanish socialist politician.

He tries to avoid expressing his homosexuality, and marries a beautiful woman (Maria Luisa San Jose) who shares his political beliefs, but Roberto can't resist young boys. His affair with a pretty teen-ager named Juanito (Jose L. Alonso) puts him at the mercy of a merciless bunch of right-wingers.

In drawing connections between Roberto's underground political existence and his underground sexual existence, Mr. de la Iglesia, who wrote the screenplay with Gonzalo Goicoechea, is onto something. The apartment that was once used to harbor endangered comrades becomes a place for trysts; the posters of Marx and Lenin look sternly upon the male sex play.

Mr. de la Iglesia is quite brilliant at making us feel the appeal of young boys to the middle-aged, sober-minded Roberto. By contrast, the relationship between Roberto and his beautiful wife Carmen is tenuous despite his honesty with her about his homosexuality. Their relationship is anchored in genuine love for each other and Carmen is determined to explore any avenue that will allow their marriage and relationship to survive. Under the tutelage of Roberto and Carmen, Juanito is transformed from a street hustler into a bookstore browser, an admirer of modern art and an appreciator of good music and he has his political consciousness raised, to boot. He realizes that he is indeed in love with Roberto and strives to undo his original commitment to discredit him. A climactic scene finds Roberto, Juanito and Carmen in a turn-on a tres that culminates in a three-way kiss symbolizing a sign of liberation and reconciliation.

Featuring an appearance of the renowned director Juan Antonio Bardem, this film raised an outcry at the time of its first release for its explicit depiction of homosexual acts and for its outspokenly pro-Marxist political statements. The film also gained notoriety because it appears to tell the story of several well-known figures in Spanish society.

During the early '70s, de la Iglesia was a member of the Spanish Communist Party; his films of this period reflected his beliefs and often centered on violent forms of social protest. Favorite topics included class relations and social oppression by the state. Many of de la Iglesia's films contained prodigious amounts of bizarre sex, which generated even more controversy. After the mid-'70s, de la Iglesia's films increasingly focused on homosexuality and social problems such as juvenile delinquency and drug addiction. De la Iglesia contended with drug addiction himself in the 1980s and even stopped making films for a time. Claiming his addiction to cinema was stronger than his addiction to drugs, de la Iglesia eventually kicked his habit and resumed his career.

Film Information:'The Deputy (El Diputado)'
Web: Cast, Bios and Additional Details at IMDb
Director: Eloy de la Iglesia
Writers: Gonzalo Goicoechea & Eloy de la Iglesia
Credits: Full Cast, Crew & Credits
Genre: Drama
Awards: 1 win
Runtime: 110 min
Spoken Language: Spanish
Subtitled in: English

Film Clip:'The Deputy (El Diputado)'
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Download & Extract Film Files:
''The Deputy (El Diputado)'
.

Method 1.) File Self Extraction. (For PC) Download files into the same folder.
then click on
the 'xxxx.part01.exe' file and the film will self extract.
(For Mac) You will need a Command Line Archiver like Rar for Mac OS X'
The Deputy.part01.exeThe Deputy.part02.rar
The Deputy.part03.rarThe Deputy.part04.rar
The Deputy.part05.rarThe Deputy.part06.rar
The Deputy.part07.rarThe Deputy.part08.rar
The Deputy.part09.rarThe Deputy.part10.rar
The Deputy.part11.rar
Method 2.) Download files & rejoin with a program like HJ Split/Join
(For PC) and (For Mac) either MacHacha or Split and Concat.
The Deputy.avi.001The Deputy.avi.002
The Deputy.avi.003The Deputy.avi.004
The Deputy.avi.005The Deputy.avi.006
The Deputy.avi.007The Deputy.avi.008
The Deputy.avi.009
The Deputy.avi.010
The Deputy.avi.011
The Deputy.avi.012

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. . " to reach audiences
through their hearts,
their minds, and their
genitals.
" . . .

Almodovar has stated he wants to reach audiences through "their hearts, their minds, and their genitals." In 'Law of Desire', he more than fulfills this challenge,

Released in 1987, The Law of Desire primarily revolves around gay theatrical director Pablo Quintero (Eusebio Poncela) and his dangerous affair with obsessed stalker Antonio Benitez (Antonio Banderas). As the film opens, the 40-year-old director pines for young Juan Bermudez, but he realizes that his twenty-something bi-sexual partner can never fully reciprocate his love. Juan decides to sort things out and relocates to an isolated lighthouse. When Juan's first letter home doesn't satisfy, Pablo composes a more romantic letter that expresses melancholy longing and sends this back to Juan with instructions for him to sign and mail this back to him. This fake typewritten love memo provides a pivotal plot device.

Despite being lovesick for Juan, Pablo continues his sexually promiscuous lifestyle, and Antonio soon attaches himself to the filmmaker--far too clingy for Pablo's taste. This time the younger man lusts voraciously for the filmmaker, and is willing to do whatever he can to be with his man (reminiscent of Glenn Close's psychotic obsession in Fatal Attraction). When Antonio comes across Juan's sad, yearning love note, all Hell breaks loose. Neither Pablo's nor Juan's life will ever be the same as a result of this tragic three-way unrequited love triangle.

A subplot involves Pablo's transsexual sister Tina (Carmen Maura), who has a humorous moment with a lascivious priest that fondly remembers her pure voice when "she" served as an alter boy. Additional surprises are revealed, though these won't shock Almodovar devotees. A vivacious actress who is taking care of her ex-lover's daughter, Tina prepares for her brother's next play, The Human Voice (that forms the basis of Almodovar's next film, Women on the Verge of a Nervous Breakdown).

The Law of Desire contains plenty of Almodovar touches and is brightened considerably by the acting talents of Maura and Banderas, it's no puzzle to see why Almodovar employed these two in multiple films. American audiences more familiar with Banderas' low key supporting role to Tom Hanks in Philadelphia can revel in wide-eyed amazement over his full raging homoerotic lust in this 1987 film. Banderas' intensity transforms what could have been bizarre off the wall melodrama into a provocative psychological study about the potential devastating cost of wanton love. Law of Desire is among the most powerful of Almodovar's early works.

Almodovar clearly demonstrates that weighty subject matter need not be presented in a meditative manner. Light-hearted touches often deliver more effectively--just like life. In the finale Almodóvar cuts to the massed policeman and interested onlookers (including Tina) arrayed on the street below. All look up towards the window as Almodóvar undertakes a hugely elegant tracking shot that reveals the crowd to be as immaculately and artificially arranged as the cast of some Broadway musical (opera might be more to the point). Then, in an unexpected, brilliant move—he cuts to show the front of the building, as the assembled cast (including Tina) rushes to climb the scaffolding, Keystone Cops-style. Freeze-frame on the madness, and Fin. Viva Pedro, indeed.

FILM INFORMATION:
'The Law of Desire'

Web: Cast, Bios and Additional Details at IMDb
Director: Pedro Almodóvar
Writer: Pedro Almodóvar (screenplay) & Pedro Almodóvar (story)
Cast, Crew & Credits: Full Cast, Crew & Credits
Genre: Comedy | Drama | Romance
Awards: 9 Wins & 3 Nominations
Runtime: 102 min
Spoken Language: Spanish
Subtitled in: English

FILM CLIP: 'The Law of Desire'



DOWNLOAD & EXTRACT FILM FILES:
'The Law of Desire'

Method 1.)
File Self Extraction. (For PC) Download files into the same folder.
then click on
the 'xxxx.part01.exe' file and the film will self extract.
(For Mac) You need a Command Line Archiver like Rar for Mac OS X'
The Law of Desire.part01.exeThe Law of Desire.part02.rar
The Law of Desire.part03.rarThe Law of Desire.part04.rar
The Law of Desire.part05.rarThe Law of Desire.part06.rar
The Law of Desire.part07.rarThe Law of Desire.part08.rar
Method 2.)Download and rejoin files with a program like HJ Split/Join
(For PC) and (For Mac) use either MacHacha or Split and Concat.
The Law of Desire.avi.001The Law of Desire.avi.002
The Law of Desire.avi.003The Law of Desire.avi.004
The Law of Desire.avi.005The Law of Desire.avi.006
The Law of Desire.avi.007The Law of Desire.avi.008
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'
SEX, VIOLENCE, PASSION AND
DEATH COME TO A RAGING
BOIL IN ALMODÓVAR'S PAEAN
TO ROMANTIC KITSCH
'

Pedro Almodóvar is a salacious romantic who's both ironic and unabashedly emotional. At his best, he has a keen eye for how the conventions and clichés of movies color our expectations of the real world as well as our fantasies. Consciously going beyond the bounds of respectability, Almodóvar knows that movies are never more sensual or alive than when they defy those limits and venture into the forbidden.

He's never gone further than he did in 1986's "Matador." This voluptuous mixture of black humor and subterranean sexuality starts out at an extreme pitch and gets deeper into the characters' obsessions as the movie proceeds. Nevertheless, the larger-than-life passions of the killer/lovers Diego and Maria should be recognizable to anyone who loves the movies. It's a consistently audacious fantasy of sex and violence set in a modern-day Madrid where everyone is ready to surrender to his or her particular passions.

The opening is shockingly funny (or maybe shocking and then funny): A man sits in front of his TV masturbating to a montage of repulsive slasher-movie images playing on his VCR. The man is Diego (Nacho Martinez) a dashing former matador prematurely retired after a career-ending injury who rehearses the principal tenets of the art of the kill at a converted classroom on his estate to a group of aspiring bullfighters, including an unlikely, hypersensitive student named Angel Giménez (Antonio Banderas).

The training lecture then cuts to the image of a beautiful, enigmatic woman sitting on a park bench, María (Assumpta Serna) as she initiates contact with an anonymous man innocuously passing by, follows him back to an apartment, and, at the height of physical intimacy, stabs him with a long ornamental pin behind the nape of the neck - in the region between the shoulder blades defined in bullfighting as the cleft of the clods. The shot then cuts back to the training grounds as Angel, intrigued by (and undoubtedly, attracted to) his instructor, follows Diego back to the house for a drink of water, and soon grows anxious when the conversation exposes his inexperience with women. In retaliation, Angel attempts to prove his masculinity by stalking Diego's lover - a young model named Eva (Eva Cobo) - in an impulsive act that culminates in an equally humiliating failed sexual assault. However, unable to be taken seriously by the police, Angel decides to confess to a series of murders after viewing the crime scene photographs on the commissioner's (Eusebio Poncela) desk, and in the process, unwittingly unites the paths of the crippled, morbidly aroused Diego and the fatally seductive María.

Pedro Almodóvar creates a highly sensual, deliriously overripe, and stylistically audacious portrait of love, death, fate, and violence in Matador. From the opening shot of the iconic matador, Diego, deriving sexual gratification from watching a horror exploitation film, Almodóvar establishes the interrelation between sexuality and savagery: the parallel cutting of the bullfighting training with María's precise and ritualistic murder; Angel's validation of his masculinity through Eva's attempted violation; Diego's initial pursuit of María inside a movie theater as the tragic, final sequence from Duel in the Sun unfolds; Diego's repeated playback of the his fateful goring, spotting María on video among the spectators.

Almodóvar further uses environmental elements to underscore emotional state, from the idyllic clouds that precipitate Angel's consuming, morbid visions, to the portentous inclement weather that punctuates his encounter with Eva, to the total eclipse that materializes during the final encounter. By articulating profound connection through instinctual aggression, Matador serves as a bold and provocative allegory for the self-destructive cultural legacy of machismo, bravura, and ritualistic violence. ~ Salon & Acquarello

Note: Almodovar used a very vibrant, young and sexy Antonio Banderas
in several of his films of this period.

Film Information: 'Matador'

Web: Cast, Bios and Additional Details at IMDb
Director: Pedro Almodovar
Writers: Pedro Almodóvar (story) & Jesús Ferrero (screenplay)
Cast, Crew & Credits: Full Cast, Crew & Credits
Genre: Drama | Thriller
Awards: 5 Wins & 6 Nominations
Runtime: 129 min
Spoken Language: Spanish
Subtitled in: English

FILM CLIP: The films of Pedro Almodovar including 'Matador'




Soundtrack Selection: 'Matador'
Song TitleArtist
Composicion En Rojo.mp3Bernardo Bonezzi
Persecucion Telepatica.mp3Bernardo Bonezzi
Composicion En Ocre.mp3Bernardo Bonezzi
Composicion En Negro.mp3Bernardo Bonezzi
Matador.mp3Bernardo Bonezzi

DOWNLOAD & EXTRACT FILM FILES: 'Matador'

Method 1:
(For PC) Download files into the same folder.
then click on
the '.part01.exe' file and the film will self extract.
(For Mac) You need a Command Line Archiver like Rar for Mac OS X'

Matador.part01.exe
Matador.part03.rar
Matador.part05.rar
Matador.part07.rar
Matador.part02.rar
Matador.part04.rar
Matador.part06.rar
Matador.part08.rar

Method 2:
(For PC) Download and rejoin with a program like
HJSplit (Fo
r Mac) Use either MacHacha or Split and Comcat
Matador.avi.001
Matador.avi.003
Matador.avi.005
Matador.avi.007
Matador.avi.002
Matador.avi.004
Matador.avi.006
Matador.avi.008

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. . people will pay
any price to
ensure that
their stories
are told . .


Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness.

Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems.

A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened.

The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told.

Film Informaton: 'Bad Education'

Web: Cast, Bios and Additional Information at at IMDb
Director: Pedro Almodóvar
Writer: Pedro Almodóvar
Credits: Full Cast, Crew & Credits
Genre: Drama | Mystery
Awards: Nominated for BAFTA Film Award. Another 11 wins & 30 nominations
Runtime: 106 min
Spoken Language: Spanish
Subtitled in: English

An interview with 'Bad Education' star, Gael Garcia Bernal



Film Files: 'Bad Education'

Bad-Education.avi.001
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